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The studio said, ‘No, we don’t like Will Smith. “It was pretty clear it had to be Will Smith and Jeff Goldblum. “ Ethan Hawke was on our list too, but I thought at that time he was too young,” Emmerich said. Once Emmerich and Devlin locked in Jeff Goldblum, they were adamant Will Smith be his co-star. While discussing the film’s casting, the duo recalled studio executives at 20th Century Fox refusing their pitch to cast Will Smith in the lead role due to the racist Hollywood ideology that audiences in foreign markets don’t show up to movies led by Black actors.
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“ Independence Day” director Roland Emmerich and producer-writer Dean Devlin celebrated the film’s 25th anniversary this week by participating in The Hollywood Reporter’s oral history of the alien invasion blockbuster. ‘Independence Day’ Team Reveals Studio Reaction to Will Smith: ‘Cast Black Guy, Kill Foreign Box Office’ Strong father figures and alien-war heroes? Whitmore ( Bill Pullman), I dare you not to feel something. Steven Hiller promises his step-son Dylan ( Ross Bagley) fireworks, and you get them in the form of alien vessels crashing to the ground after a high-flying intergalactic space battle, why bother leaving the house to deal with traffic for your local fireworks show? And as Patricia (the positively perfect Mae Whitman) says “Happy Fourth of July, Daddy,” to President Thomas J.
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Some people like “Independence Day” for its campy take on “ Close Encounters of the Third Kind” or for its technical achievements, which won an Oscar and set director Roland Emmerich on the path for becoming the disaster director du jour or for establishing Will Smith as the “King of the Fourth of July.” Other people - like me - watch the movie religiously every time the Fourth of July rolls around. ‘Jurassic Park 3’ Could’ve Featured a Scene Where a Raptor Rode a Motorcycle Off a Cliff Theaters should be nurtured, not destroyed.” Mechanic’s outburst carries a certain irony because, some 20 years ago, he led the way to the ultimate Hollywood summer – a slugfest of blockbusters with giant budgets and overzealous plot lines. Sure, Disney was also playing Widow on its Disney+ service, but as one film veteran, Bill Mechanic, recently pointed out: “Dumping films into streaming is pure arrogance. Meanwhile, Black Widow’s flaccid third week had box office nerds dialing back to Thor and Doctor Strange to find precedent in the fall-off derby. Hopefully, there are still filmgoers out there yearning for popcorn rather than pushbacks, but they’ll have to wait until autumn for Dune and a new Bond movie ( No Time to Die).
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Ok, Hollywood’s summer ain’t what it used to be. In case you hadn’t noticed, last weekend marked a rigorous box office rivalry between Old and Snake Eyes. Peter Bart: Hollywood Yearns For Budget-Bending Box Office Blast-Offs Of Former Summers
JURASSIC PARK THE LOST WORLD AUDIOBOOK SERIES
Jordan (1941) – Glenn Erickson’s Criterion review 12 Angry Men (1957) Dodes’ka-den (1970) Memento (2000) Lawrence of Arabia (1962) Other Notable Items Phillips Club in NYC Tfh Guru Alan Spencer Sledge Hammer! TV series (1986-1988) The Garland in Show Notes: Movies Referenced In This Episode Sweet Smell of Success (1957) – John Landis’s trailer commentary Twilight Zone: The Movie (1983) White Dog (1982) Silver Bullet (1985) Witness (1985) The Verdict (1982) Scent Of A Woman (1992) The Piano (1993) The Pawnbroker (1965) Dog Day Afternoon (1975) True Romance (1993) Infested (2002) A History Of Violence (2005) The Lost World: Jurassic Park (1997) Gremlins (1984) – Glenn Erickson’s review, Tfh’s 30th anniversary links It’s A Wonderful Life (1946) – Bill Duke’s trailer commentary, John Landis’s trailer commentary Jaws (1975) – Josh Olson’s trailer commentary Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s Criterion review Heaven Can Wait (1978) Here Comes Mr. TV director Dan Attias discusses his favorite cinematic moments with hosts Josh Olson and Joe Dante.